Claes Oldenburg - Lot with 3 catalogues - 1966/1977 - Catawiki

249 bilder, fotografier och illustrationer med Haring Party

Also in 1960 (preceding Warhol's "Factory" by two years) Oldenburg began calling his studio the Ray Gun Manufacturing Company and produced bulbous, crudely-fashioned "ray guns," imitations of generic sci-fi weapons for display in his rented storefront. "Store Days is the remainins of the most significant monument of early 60´s New York art - the events, theories, works and situations surrounding Claes Oldenburg´s Store, which was on the one hand a real place where real sales were made, and on the other a set of ideas whose reverberations are still being felt." From Phillips, Claes Oldenburg, The Store; and Stars (1961 and 1963), One letterpress poster and one letterpress over offset lithographic poster in colors,… Title: Store Days. Documents from the Store (1961) and Ray Gun Theatre (1962) Artist: Claes Oldenburg (American, born Stockholm, 1929) Photographer: Robert R. McElroy (American, active 1967) Publisher: The Something Else Press (New York, NY) Date: 1967. Medium: Artist's book in four-color lithography. Dimensions: 11 1/8 x 8 1/2 in. (28.3 x 21.6 cm) Claes Oldenburg: The Street and The Store. Written by Christine Ritenis .

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Butik. US. Claes Oldenburg's Store Days (Hardback) & Claes Oldenburg 'Notes in Hand' softback. 1967 and '71 respectively. Store Days complete with often missing  Claes Oldenburg : the multiples store : with case histories Claes Oldenburg : Teckningar, akvareller och grafik : Moderna museet, Stockholm, oktober-  Something Else Press 1967, 28.5x21.5 cm. Inbunden med skyddsomslag, aning naggat i överkant.

Claes - OMNIA

With a heaping helping of vinyl or fabric, he creates the makings of his own cartoonish universe The Store caught the attention of the high-profile Green Gallery on 57 th Street, where Oldenburg displayed his three colossal sculptures Floor Cake, Floor Cone, and Floor Burger, sculptures in stuffed, painted and sewn canvas, in 1962.From then on his work received significant acclaim, and for the next few years his production of "soft" convenience foods and domestic objects was prolific and Let this be fair warning: You will not see Claes Oldenburg’s The Store, that most recklessly zany of all Pop Art creations, in the exhibition currently at the Museum of Modern Art entitled 2019-02-05 2013-06-11 Claes Oldenburg came to New York City from his hometown of Chicago in 1956, when he was twenty-seven years old. Initially aiming to make his mark as a painter, by 1960 he had changed his mind: the way to upend the art of his time was through sculpture—sculpture of a sort never seen before.

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Ur portfolion "Works by artists in the New York Collection for Stockholm". George Segal. 1973. MOM/2005/753:25. The Dry Cleaning Store. George Segal.

MoMA Collection. Olja På Duk. MoMA Design Store. 45t följare. Mer information.
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"Store Days is the remainings of the most significant monument of early 60's New York art--the events, theories, works and situations surrounding Claes  Claes Oldenburg The Store 1961 In the winter of 1961, Oldenburg circumvented the practice of selling art through a gallery by opening a storefront on the Lower  Apr 25, 2013 Let this be fair warning: You will not see Claes Oldenburg's The Store, that most recklessly zany of all Pop Art creations, in the exhibition  In December, Claes Oldenburg opens The Store i n New York's East Village, an " environment" that mimicked the setti ng of surrou nd ing cheap shops and from  OLDENBURG, CLAES & Emmett Williams. Store Days. Documents from The Store 1961 and Ray Gun Theatre 1962 . Unpaginated, well illustrated with  Jan 21, 2016 In 1961 he rented a storefront, called it The Store, and stocked it with stuffed, crudely-painted forms resembling diner food, cheap clothing, and  In 1961, he opened The Store in his studio, where he recreated the environment of neighborhood shops. He displayed familiar objects made out of plaster,  Claes Oldenburg (American, b.

Gun Theater (the artist's name for his performance series in the back of The Store ). Store Days; documents from The Store (1961) and Ray Gun Theater (1962), selected by Claes Oldenburg and Emmett Williams, Photographs by Robert R. Oldenburg established himself in the beginning of the 1960s with a number of installations and performances such as The Street (1960) and The Store (1961).
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MOM/2005/753:25. The Dry Cleaning Store. George Segal. 1964. Kejsar Karl den store, Charlemagne, dog 814. 1927 skådespelaren Per Oscarsson och 1929 konstnären Claes Oldenburg, vars amerikanska  Vårens stora utställning på Louisiana, Pop Art Design, visar ett stort antal verk av kändiskonstnärer som Claes Oldenburg, Roy Lichtenstein och Andy Warhol  These cookies do not store any personal information.

Claes Oldenburg - Konst: allmänt - häftad 9780262516938

By Stephanie Rebick | Posted on May 6th, 2013. Jason Mandella/The Museum of Modern Art via Bloomberg. "Store Days is the remainings of the most significant monument of early 60's New York art--the events, theories, works and situations surrounding Claes  Claes Oldenburg The Store 1961 In the winter of 1961, Oldenburg circumvented the practice of selling art through a gallery by opening a storefront on the Lower  Apr 25, 2013 Let this be fair warning: You will not see Claes Oldenburg's The Store, that most recklessly zany of all Pop Art creations, in the exhibition  In December, Claes Oldenburg opens The Store i n New York's East Village, an " environment" that mimicked the setti ng of surrou nd ing cheap shops and from  OLDENBURG, CLAES & Emmett Williams. Store Days.

In “The Street and The Store,” the Museum of Modern Art revisits more than 150 of Claes Oldenburg’s audacious works that laid the foundation for his artistic Title: Store Days. Documents from the Store (1961) and Ray Gun Theatre (1962) Artist: Claes Oldenburg (American, born Stockholm, 1929) Photographer: Robert R. McElroy (American, active 1967) Publisher: The Something Else Press (New York, NY) Date: 1967. Medium: Artist's book in four-color lithography. Dimensions: 11 1/8 x 8 1/2 in. (28.3 x 21.6 cm) With his saggy hamburgers, colossal clothespins and giant three-way plugs, Claes Oldenburg has been the reigning king of Pop sculpture since the early 1960s, back when New York was still truly gritty.